For the next review ON STAGE! 2010 ( here the link to the 2009 program) we new scores for ensemble and electronics . The selected songs will be performed in the first concert of the festival, in collaboration with the ' AIMI for the XVIII CIM (Colloquium Musical Informatics) 2010 - "Distances next."
Link to the full announcement.
For the next concert series ON STAGE! 2010 ( here the past edition of the program) we are searching for new scores for ensemble and electronics . Selected pieces will be performed in the first concert of the series, in collaboration with AIMI , on the occasion of the XVIII CIM (Colloquium on Musical Informatics) 2010 - "Distances next" .
The next March 28 will perform a rare transcription for string quartet movements from the first seven Mozart Requiem KV626 by Peter Lichtenthal. This unique figure of the scientist and musician, born in Bratislava, he settled in Milan since 1810 working as a bureaucrat in the service of the Austro-Hungarian Empire and cultivating the same time very active as a scholar, composer and performer. Ambrose was in the city are preserved at the Library of the Conservatory Fund Noseda, some transcriptions of the manuscripts by Mozart completed Lichtenthal.
you there!
Laudes PASCHALES
2010 Sunday, March 28, 2010, at 17 of Mercy Church Street Barbaroux, 41 - Torino
Concerto by: Association Fiara Composers Ensemble and Associates
Wolfgang Amadeus Mozart selection from Requiem KV626 (arranged by Peter Lichtenthal - beginning XIX century)
String Quartet Ensemble of Fiara Antonella Di Michele and Paul Volta, violins Magdalena Vasilescu, purple Massimo Barrera, cello
11 Hours Bellarte Theatre, via Bellardi 116, Torino (District 4)
OUT OF THE TIME PERCUSSION QUARTET Music by Mozart, Sollima, Nipple, Regner, Ruby, Boccadoro, Zivkovic. Arfinengo Giulio; Bullita Gabriele, Andrea Toselli, Simone Rubino, percussion
17.30 Teatro Vittoria Via Gramsci 4, Torino
June 28, 1944 Text "Without Thought" by Paolo Nori , music "Alle Fünf" by Maurizio Pisano . Richard Balbinutti percussion; Max Bertolai video; Paolo Nori text and voice; Maurizio Pisano and music director
Milanese composer born in 1936, David Anzaghi completed his musical studies in his hometown. After the debut - very young - as a virtuoso of the accordion ( here a nice video of the time), he devoted himself full time to composition. His works have been performed at major Italian and international musical institutions.
Formerly a lecturer at the Conservatory "G. Verdi", went through the key steps garde since the '60s, reached a personal style where the use of procedures derived from serialism is combined with a flair to the beautiful sound and communication.
Anzaghi David was our guest last November, during the creation of Ballet, with choreography by Matthew Levaggi-Maugeri-Scaglione and dancers of the BTT - Balletto Teatro di Torino directed by Loredana Furno.
We have rediscovered the pleasure experienced in the preparation and execution of this work in these short video extracts .
Born in 1936, David Anzaghi completed the musical studies in His native city, Milan. After the debut as young accordion virtuoso ( here a pleasant period video), he is devoted full time to the composition. Several works Was Been performed in the most important musical institutions in Italy and in foreign countries.
Already teacher in the Milan conservatory "G. Verdi", he has crossed all the crucial phases of the avantgarde from the 60's, reaching to a personal style where the use of procedures derived by the serialism conjugates him with a taste for bel suono and communication.
Davide Anzaghi has been our pleasant guest last November, on the occasion of the creation of Ballet , with choreography of Matteo Levaggi-Maugeri-Scaglione and the dancers of the BTT - Ballet Theater in Turin directed by Loredana Furno.
We have found again the pleasure tried in the preparation and in the execution of this job These brief video in extracts.
David Anzaghi BALLET BTT - Balletto Teatro di Torino Luciano Condina
One piece by Andrea Vigan, even from the concert of November 14, 2006. The Comfort was composed expressly for the Fiara Ensemble. A track where epigrammatic complexity and sense of communication are perfectly blended.
The Comfort Has Been Especially Fiara Composed for Ensemble. An epigrammatic piece, where, complexity and the sense of communication are Perfectly melted. Some
